Field Notes: A Markham Piano's Year, Month by Month
Field Notes is a series about what we actually see tuning pianos across the GTA — one area, one pattern at a time.
Markham's pianos run on a calendar. More than anywhere else we serve, the instruments in Unionville, Cornell, Berczy, Cachet, and Milliken belong to households where the year is organized around lessons, exam sessions, festivals, and recitals — and the piano's needs follow that rhythm as surely as they follow the furnace. After years of tuning through Markham's seasons, here's the year as a piano experiences it, and where the care fits.
September–October: the new season
Lessons resume, practice ramps up, and a piano that sat lightly used through summer gets played hard again. Meanwhile the first cool nights arrive and the furnace makes its first runs — the house begins drying. This is the tempting-but-wrong tuning window: the piano is mid-transition, and a tuning now will drift as the house dries. Better: hold the room's humidity (start the humidifier the week the heat comes on) and book for November. If a fall exam session is on the calendar, tune two to four weeks before it and accept that the house is still moving.
November–December: settled, and the holidays
The furnace has been running for weeks, the house has reached its winter baseline, and the piano has finished its autumn sag. The single best tuning window of the year — the piano holds through the heating season and is fresh for the busiest playing weeks (family visits, holiday music, the December recital). December fills fast; Markham families who book in October get their pick of dates. Why timing matters.
January–February: deep winter and the winter session
Indoor humidity in Markham's newer, tightly sealed homes bottoms out — 25–30% is typical in Cornell, Berczy, and Wismer without a humidifier. Keys feel loose, pitch sags, and the winter exam session arrives. A piano tuned in November is usually still true; one tuned in September isn't. Students preparing for January exams: check the piano in early January, and if it's drifted, a touch-up two to four weeks out is cheap insurance for an ear that's about to be tested. The exam-prep guide.
March–April: festival season
Kiwanis and other festivals, spring recitals, and the run-up to the June exam session. The house is still dry (the furnace runs into April), so the piano is stable — a good stretch for a second tuning on a twice-yearly rhythm, particularly for the grands in Cachet and Angus Glen and for serious students. Late March or April, before the windows open, is the honest recommendation.
May: the other transition
Windows open, humidity climbs, the piano begins its spring rise. The second window to avoid tuning — the house is mid-lurch again. If a June exam demands it, tune two to four weeks ahead and know the piano is moving; otherwise wait for June.
June: exams, then rest
The June session is the year's largest. Piano tuned in late March or April is typically still true; if not, mid-to-late May touch-up. After exams, most Markham pianos get their lightest month of the year — and the humid season has settled, making late June through August the second-best tuning window if the piano is due.
July–August: summer
Practice slows; humidity rises. In Markham's air-conditioned homes the piano is usually fine; in older Unionville and Markham Village houses without central air, keys may stick and the tone dulls — a dehumidifier when the hygrometer passes the mid-50s keeps the swing narrow. The piano is resting; let it.
The calendar, compressed
- Best tuning windows: mid-November to February; late June to August.
- Avoid: early-to-mid October and May (transitions).
- Twice-yearly rhythm (grands, serious students): November + late March/April, or November + late June.
- Exams and festivals: two to four weeks before, whatever the month.
- Humidifier: on the week the furnace starts; off when the windows open.
A piano tuned at the same point in every seasonal cycle drifts the least between visits — which is why the Markham families we've tuned for longest all book the same week every year.
Tuning across Markham: service details and neighbourhoods here. Book your November slot now.
Common questions
When should a Markham student's piano be tuned for RCM exams?
Two to four weeks before the exam date, whatever the season — settled but still true. For the January session, check the piano in early January; for June, tune in late May if needed.
What's the best month to tune a piano in Markham?
Mid-November through February, once the furnace has dried the house to its winter baseline — or late June through August once summer humidity has settled. Avoid October and May transitions.
Do Markham's new homes affect piano tuning?
Yes — tightly sealed newer homes in Cornell, Berczy, and Wismer run very dry in winter (25–30% humidity), pushing pianos flat. A humidifier from the week the furnace starts until spring largely prevents it.
Other notes in the series
Field Notes: The Teaching Studio Piano in Thornhill
Thornhill's home studios put 30+ hours a week on one piano. What a teaching instrument needs — termly tuning, tight regulation, honest voicing — and how teachers and technicians work together.
Tuning & ServiceField Notes: Coming Back to the Piano in Aurora
A wave of Aurora adults are returning to the piano after decades away. What a returning player's instrument needs — lighter touch, warm tone, a bench that fits — and how to make the first month stick.
Buying & SellingField Notes: The Estate Piano — What Executors in Newmarket Ask Us
Settling an estate with a piano in it: how to value it fairly, what to do first, the family-heirloom conversation, and the realistic exits. A technician's notes from Newmarket's estate visits.
Piano Care & ClimateField Notes: Planning a Piano Room in a Seaton or Audley New Build
Building or finishing a home in Pickering or Ajax? Decide the piano's spot before the drywall: vents, glass, electrical for a humidifier, flooring. What to tell the builder — from tuning the pianos that arrived after.
Buying & SellingField Notes: The Player Pianos of Whitby and Oshawa
Durham's heritage homes hold a surprising number of 1910s–20s player pianos. What they are, whether the mechanism can be revived, what they're worth, and why the piano underneath is usually the good news.
Tuning & ServiceField Notes: North York's Hard-Working Practice Pianos
What daily lesson use does to a piano — worn hammers, uneven touch, faster drift — and what Willowdale and Bayview Village families can do about it. Notes from tuning North York's practice pianos.
Buying & SellingField Notes: Scarborough and the Second-Hand Piano
Five kinds of used piano we meet again and again across Agincourt, Malvern and the Bluffs — the inherited upright, the Marketplace bargain, the church donation — and how each first visit goes.
Piano Care & ClimateField Notes: The Kingsway's Fine Old Pianos
Caring for a heritage instrument — the 60- to 100-year-old grands and uprights of the Kingsway, Humber Valley and Sunnylea: what ages well, what to watch, and what "restoration" should and shouldn't mean.
Piano Care & ClimateField Notes: Why Port Credit Pianos Drift Differently Than Erin Mills Pianos
The same piano behaves differently by the lake and inland. What Lake Ontario does to pianos in Port Credit, Lorne Park and Clarkson vs. the dry subdivisions of Erin Mills and Meadowvale — and how to care for each.
Piano Care & ClimateField Notes: Pianos and Neighbours in Toronto's Semis and Towers
What actually reduces piano sound through a shared wall or floor — and what doesn't. Notes from tuning in Leslieville semis, Annex duplexes, and Harbourfront towers, with the honest physics.
Tuning & ServiceField Notes: Three Generations, One Piano in Vaughan
In Woodbridge, Maple and Vellore Village the family piano often serves a grandparent, a parent and a student at once. What a shared piano needs — bench, touch, tuning rhythm — and how to keep everyone happy.
Tuning & ServiceField Notes: Preparing a Piano for a Competitive Student in Richmond Hill
Bayview Hill and Richvale students at advanced grades need more from the home piano than tuning — evenness, consistent repetition, voicing that matches the hall. What we do for competition-level practice instruments.
Buying & SellingField Notes: When Brampton Families Move From a Keyboard to a Real Piano
The upgrade moment we see across Springdale, Castlemore and Mount Pleasant: the signs a student has outgrown the digital, what to buy, what changes on day one, and the first-year tuning that follows.
Tuning & ServiceField Notes: Voicing Oakville's Lakeshore Grands
On Old Oakville's and Bronte's fine grands, the conversation is rarely about pitch — it's about tone. What voicing actually is, how a session works, the "bright vs warm" question, and how often a fine piano needs it.
Tuning & Service
Field Notes: The Teaching Studio Piano in Thornhill
Thornhill's home studios put 30+ hours a week on one piano. What a teaching instrument needs — termly tuning, tight regulation, honest voicing — and how teachers and technicians work together.
Tuning & ServiceField NotesField Notes: Coming Back to the Piano in Aurora
A wave of Aurora adults are returning to the piano after decades away. What a returning player's instrument needs — lighter touch, warm tone, a bench that fits — and how to make the first month stick.
Tuning & ServiceHow to Find a Good Piano Teacher in Toronto and the GTA
Where GTA families actually find teachers (RCM directories, ORMTA, studios, word of mouth), what to ask at a trial lesson, fair 2026 rates, and the piano-at-home question teachers wish parents asked first.